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Paul Mardikian was born in France in 1963 and spent most of his
childhood in Boulogne-sur-Seine near Paris. The artist always
felt that "abstraction" was a state of mind, a particular way to look
at the world and comprehend its substance. At the age of 25, while
studying archaeology and conservation science at the School of the
Louvre and the Sorbonne University, Mardikian developed specific tools
and materials he now uses to convey his feelings through abstract
painting. Mardikian’s training in art restoration offered him a
precious understanding of the chemical, physical, and optical
properties of paints. Working with the substance of paint and shaping
it into a unique, non-representational form of expression has been a
revelation to the artist. Two types of artwork emerged beginning in
1988 - small and medium sized icon paintings on wood and the larger
paintings on canvases.
From prehistoric sites in Europe to shipwrecks around the world,
Mardikian's career in conserving archaeological artifacts has fueled
his inspiration. The opportunity to become
directly connected to the past, to discover and preserve the fragile
remains of ancient civilizations, has left a permanent mark on his
artwork. “Interpreting abstract traces of humanity such as
imprints, traces of fire, tracks, trash, brush stokes, graffiti, and
scarifications left by a human being on any given substrate are part of
this iconography. Those traces, whether intentional or inadvertent, are
symbolic of the temporary physical presence of a person in the flux of
time.”
Mardikian’s work is included in both American and European private
collections. Four of his paintings have recently been selected
for the Medical University of South Carolina's Contemporary Collection
for the new Ashley River Tower. The artist’s first solo show was
in February 2008 with others every two years.
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